A heart-wrenching, thrilling triumph of genre filmmaking.
I think Sinners has higher cinematic highs (the literal barn-burning musical scene) but 28YL has emotional highs that Coogler can’t top. Just incredible moviemaking.
I think Sinners has higher cinematic highs (the literal barn-burning musical scene) but 28YL has emotional highs that Coogler can’t top. Just incredible moviemaking.